• 10Feb
    Categories: fabric, sewn Comments: 4

    patchwork_bag_12010 is starting to feel serious: A is back at school, M’s starting soon (it’s a Montessori school) and I’ll be back at Uni before I know it. So I’d better hurry up and show you the only Christmas present I actually handmade!

    Yes, Germaine, Mum did actually ask for a handmade gift. I suspect she knows I have more fabric/time than money at the moment … And so I took the opportunity to try my first patchwork.

    The fabrics are from a charm pack: Botany by Lauren and Jessi Jung for moda. You know, I haven’t really used craft fabrics before. Admired them, yes. Stroked them on the bolt in the shops, uh, yes. But actually sewn with them? No, I’ve basically used dress fabrics: cheap or better quality.

    So this project gave me a couple of surprises. First, I’d always thought that not using craft fabrics for dressmaking was kinda snobby: it isn’t. Roll on all the designers (actually it’s not their fault), roll on all the manufacturers offering craft fabric designs on dressmaking and other types of fabric. And second, I’d thought that combining the fabrics contained in a charm pack would be kinda brainless. I mean, they’ve been specifically designed to go together, haven’t they? Well, they probably were designed to match. But I didn’t happen to like that particular fresh Spring green with that particular turquoise. Might be just me. Or might be unrealistic expectations. Any rate, I decided one side of the patchwork bags would use mainly the fresh greens; the other mixed the turquoises.

    patchwork_bag_2

    Look pretty and neat, don’t they? But they’re actually a bit wonky. I mean, I knew attaching the linings would be a problem: I’d sized them without factoring in any space needed for bulky seams, turn of cloth or any concepts like that. As a result, there’s a tuck just where the ribbons are joined. And I rather like that tuck, makes the bags a little more interesting. Next time, I’ll design in a tuck (on purpose).

    My other issue was a bit more unexpected. I’d chosen what I thought was a really simple pattern for my first patchwork: just lots of squares. Arranged in a grid. No fancy hexagons, diamonds, nothing. Just a grid. About an hour into sewing (I’m slow: I sew and think, sew more, ponder..). Anyway, about an hour into sewing I realised a grid-based pattern requires you to line things up exactly. And I couldn’t. I did try, with lots of pins. Hence my question: am I mad to worry if my patchwork is about 2mm out in places? Lots of places?

    Deep down, I know the answer. No, I should be more accurate. It’d look better. So, dear experienced patchworkers, some more questions: what should I have done? I’ll admit to treating a my fabric like paper: folding in half, scoring and cutting (with scissors). Was that my downfall? I’ll also admit my sewing may have veered from straight by about 1mm on occasion: did those slight errors multiply? Or is there some particular technique I should have known about and used?

    And yes, I did check my patchwork books, limited though my collection is. And I realised all my Japanese books are about hand patchworking. Not by machine. Even though one of them is specifically about different designs made from squares (and triangles). I also have Last-Minute Patchwork + Quilted Gifts by Joelle Hoverson which doesn’t really have a lot of grid-based designs. Perhaps so you can make them last minute, eh? And they still look good as gifts? Yes, Germaine, there’s often quite a bit of truth to what you say, however offended we get. But nine patches are a traditional grid pattern, so there must be a way to align them?

  • 10Jan
    Categories: Tokyo, craft, fabric, knit Comments: 2

    Because what’s a blog without a rant or two?

    Hopefully, this rant about Tokyo fabric and yarn stores will leave you feeling virtuously frugal  or at least  proud to buy local …  in these post-Credit Crunch times.  And yes, I’m planning a few rant-free  posts on the topic,  too!

    Reading my favourite craft bloggers,there’s nothing but praise for Japanese craft books, Japanese fabrics, dinky little Japanese gadgets … and always glowing reports of Tokyo craft stores.  So my expectations where high, too high.  But hey, anywhere’s got to be better than Craftlight, right Aussies? (Perhaps think Joann’s if you’re American … but I’ve never seen a Joann’s, maybe they’re excellent in comparison to what’s usually available in Australia …)

    Anyway, on to the story…

    I started at Yuzawaya, that huge craft store in Kichijōji.  Phew, found it.  Pot plants, both fake and real, lined up outside the door.  Hmm, gardening’s definitely creative …  not totally sure about the fake plastic stuff, looks a bit like a $2 shop back home, nevermind…

    Through the door, and the first thing I see is a giant Disney-esque Princess and fairytale character clockwork display.  Now, one reasons I’m into craft is I don’t want my 2 growing up with a Princess Complex

    Next thing I see, a totally ghastly (for the daughter of an artist) European-style oil painting in a giant gilt frame for an obscene amount of money…

    And then there were the goods themselves, the stuff for sale … it would’ve looked perfect at a cut-price chemist’s liquidation sale, you know, the “Bargains galore, everything must go!”-style chemists: chipped white melamine tables dumped with cheap lipsticks, nail polishes, mascaras … totally NOT what I was expecting.

    Kichijōji

    Around the corner, oh great, “character goods” … pencils, stuffed toys, hankies and so on, designed as tie-ins to a variety of American and Japanese animations.  And to complete my catalogue of the ground floor: dog toys.  Cat toys too, presumably.

    By this stage, I wasn’t sure I was in the right store, and I went up the escalator with some trepidation.  More of the same: it was April, back to school time, so there were rows upon rows of “character” lunch boxes.  And “character” backpacks.  And “character” jigsaws … and a few globes which yes, I agree, did look educational.

    Next floor, men’s underwear, WTF?!  I mean boxers, briefs, socks … perhaps there was some women’s underwear too.  (I went back later, on purpose, with Husb, but the men’s underwear had gone… must have been a back-to-work special, only women’s underwear is there normally)

    Fourth floor, finally!  Dressmaking fabrics, nice ones, too.  Liberties, which I haven’t seen since I was a kid, good quality wool plaids, organics, linens … ah, this is what I was after!  Although, to be fair, at least a quarter of the fabrics are those fluro sequined Lycras Craftlight specialises in … And half the total floor space is devoted to knitting and weaving supplies (not forgetting the reasonable-sized selection of fake furs, eyelash yarns … you get the picture).  (Nice) buttons, (sensible) sewing machines, notions and wigs (!) round out that floor.

    Fifth floor, quilting fabrics, children’s prints, some traditional-looking Japanese indigo prints, and … pots and pans.  Rather nice ones, I agree, but again, not what I was expecting.  The upper floors are all a blur … there is some tapestry and embroidery stuff, bear making, leatherwork, patchwork, temari and so on.  Art supplies and calligraphy, too, but by that stage you can hear the top floor … arcade games, I’ve always wondered if they’re designed to soften kids up for pachinko later in life… (cynical, who? me?)

    Now, I’m not dissing Yuzawaya, I respect that they honestly DO have dressmaking fabrics, not re-purposed quilting fabrics.  And Yuzawaya has enough yarn for anyone to find something they’d like … and more high-quality notions that I’ve ever seen. Ever.  But I’d just like a little more perspective, when discussing Japanese craft shops, I’m kinda trying to balance up all the praise I read before I left Sydney, and my own dreamy imaginings …

    And it’s not like Yuzawaya is exceptional … all its competitors are the same.  Okadaya in Shinjuku is probably my favourite store, I even took my Mum there when she came to Tokyo.  I hadn’t told her the name, but as we approached I said “Look, it’s the one next to the shoe shop”  “I know” she said.  “How do you know?” “Well, it looks like a craft shop” she said, pointing to the tacky plastic bangles, hair ties and nail art on the ground floor.  She’s right … she’s been to Craftlight in Sydney, too.

    Kinkado in Ikebukuro is reached through a 100 yen shop and cut-price cosmetics store.  And Tomato, in Nippori … well, if you hate the disorganisation of Craftlight, the rolls of fabric draped onto the floor, the slimey polyesters in clashing prints … I’m not sure you’ll fall in love with Tomato.  Although you CAN find amazing dressmaking bargains, and the patchwork fabrics on the top floor are neat and lovely…

    Recently, Husband explained it all: these stores are for housewives, hence the lingerie, toys and saucepans along with the sewing machines and fabrics.  He’s right, I’m sure.  But the militant feminist in me feels somewhat uncomfortable …

  • 23Jun
    Categories: fabric Comments: 0


    So, after you’ve just finished a big assignment, what’d you do? You’d go out and buy fabric, wouldn’t you? To make whatever you’ve been dreaming of all the while ;)

    These are the ‘fat quarters’ that’s right, isn’t? 50 x 35cm, anyway, I chose from Okadaya. (And I really must write a review of the shop for you soon). The red fabrics and one black are for the fish, the rest are the water. Chosen while M was mostly asleep, and so was A (in the backpack), except they woke up towards the end, and because the quilting section has little (i.e. child-sized) baskets, they ran round pulling down fat quarters to stack in their baskets … I think the assistants were amused, rather than angry, which was lucky …

    It was interesting choosing, I had a tiny time to think about what I was doing, before I got interrupted ;) I started with the blues, the hardest. I picked up lots of fabrics, tried to put them back neatly. After awhile, I decided they had to say “water” to me, or they were out … and my view of water (at least in this quilt) was all squiggly lines modern, maybe some spots. I then tried to match the blues together – tricky, and I’ll bet some of them give me trouble later on … I even had to resort to greys and mostly-whites. The reds were easy, I love red best, perhaps that’s why, no picking up and putting back, 5 fast choices, done.

  • 20Jun
    Categories: fabric Comments: 0


    So, yes, I’ve kinda got really interested in the idea of a hand sewn quilt, made with fabrics from Okadaya. I thought I’d make it for my youngest, M, because she rarely gets new stuff, or stuff “first”. Also, it could legitimately be smallish … which would test out whether I have the stamina for hand piecing a big one ;)

    Little M loves fish at the moment, so it will be a fairly simple fishy quilt, with lots of different fabrics to create water movement. I’m trying to plan the shapes out, above. I bought the Clover metal templates from Okadaya … I think they don’t quite fit what I want to do (I need an isosceles triangle as well as equilateral ones, maybe a parallelogram?) but I’m glad I’ve got them anyway, I’m sure to use them later.

    Sorry ’bout the grey day photography … you can make the photo a bit bigger by clicking on it, if that helps;)